Philipp veit

1793 - 1877) was a German Romantic painter.German painter. The stepson, from 1804, of Friedrich von Schlegel, he studied (1808-11) at the Akademie in Dresden under Friedrich Matth?i (1777-1845) and Caspar David Friedrich. He showed talent in drawing but, on moving to Vienna in 1811, had difficulties with painting in oil, and turned to watercolour. Through Schlegel, Veit came to know many of the leading Romantics in Vienna, such as the poet and novelist Joseph von Eichendorff. In 1813-14 Veit took part in the campaign against Napoleon and returned briefly to Berlin. In 1815 he completed a votive picture, the Virgin with Christ and St John, for the church of St James in Heiligenstadt, Vienna (in situ), inspired by the work of Pietro Perugino and Raphael. In 1815 Veit left for Italy where he stayed until 1830. In Rome he joined the circle around Friedrich Overbeck and Peter Cornelius, becoming a leading Nazarene (see NAZARENES). With these artists he took part in providing fresco decorations (1816-17) for the Casa Bartholdy (now the Bibliotheca Hertziana): Veit painted the scene of Joseph and Potiphar's Wife and a decorative lunette allegory, the Seven Years of Plenty (both now Berlin, Staatl. Mussen, N.G.). In 1818 Veit was commissioned to paint the fresco of the Triumph of Religion in the Museo Chiaramonti in the Vatican, one of a series of murals recording the services of Pope Pius VII to science and art.


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Philipp veit Italia:Introduction of the Art therouth Christianity Completed (mk45) oil


Italia:Introduction of the Art therouth Christianity Completed (mk45)
Painting ID::  25945
Italia:Introduction of the Art therouth Christianity Completed (mk45)
1833 Fresco,transferred to canvas 284.5X191cm
1833 Fresco,transferred_to_canvas 284.5X191cm
   
   
     

Philipp veit Germania (mk45) oil


Germania (mk45)
Painting ID::  25946
Germania (mk45)
1848 Oil on canvas 482x320cm Nuremberg,Germanisches Nationalmuseum
   
   
     

Philipp veit Germania, by Philipp Veit oil


Germania, by Philipp Veit
Painting ID::  61381
Germania, by Philipp Veit
Germania, by Philipp Veit
Germania,_by_Philipp_Veit
   
   
     

Philipp veit Fresco in the Stadelschen Institute, right side, scene, allegorical figure of Germania oil


Fresco in the Stadelschen Institute, right side, scene, allegorical figure of Germania
Painting ID::  93652
Fresco in the Stadelschen Institute, right side, scene, allegorical figure of Germania
Date 1834-1836 285 x 192 cm TTD
Date_1834-1836 _285_x_192_cm TTD
   
   
     

Philipp veit wall fresco, St. Pauls Church oil


wall fresco, St. Pauls Church
Painting ID::  93653
wall fresco, St. Pauls Church
Date 1848 wall fresco, St. Pauls Church, Frankfurt am Main, designed to cover the organ during the Frankfurt Assembly/Parliament, 1848-49 TTD
   
   
     

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     Philipp veit
     1793 - 1877) was a German Romantic painter.German painter. The stepson, from 1804, of Friedrich von Schlegel, he studied (1808-11) at the Akademie in Dresden under Friedrich Matth?i (1777-1845) and Caspar David Friedrich. He showed talent in drawing but, on moving to Vienna in 1811, had difficulties with painting in oil, and turned to watercolour. Through Schlegel, Veit came to know many of the leading Romantics in Vienna, such as the poet and novelist Joseph von Eichendorff. In 1813-14 Veit took part in the campaign against Napoleon and returned briefly to Berlin. In 1815 he completed a votive picture, the Virgin with Christ and St John, for the church of St James in Heiligenstadt, Vienna (in situ), inspired by the work of Pietro Perugino and Raphael. In 1815 Veit left for Italy where he stayed until 1830. In Rome he joined the circle around Friedrich Overbeck and Peter Cornelius, becoming a leading Nazarene (see NAZARENES). With these artists he took part in providing fresco decorations (1816-17) for the Casa Bartholdy (now the Bibliotheca Hertziana): Veit painted the scene of Joseph and Potiphar's Wife and a decorative lunette allegory, the Seven Years of Plenty (both now Berlin, Staatl. Mussen, N.G.). In 1818 Veit was commissioned to paint the fresco of the Triumph of Religion in the Museo Chiaramonti in the Vatican, one of a series of murals recording the services of Pope Pius VII to science and art.

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